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When the lights go down, that’s our cue. No flashes. No harsh LEDs. Just pure, glowing chaos.
We shoot through the blur, the bass, the sweat, and the joy because that’s where the stories live.
We don’t do staged. We don’t do “make it look like a party.” We do actual party. Think hair stuck to your forehead, lipstick on your pint glass, and someone’s uncle attempting the worm again kind of energy. The good stuff the real documentary wedding photography that shows what your night actually felt like.
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While other photographers pack up after the first soft-shoe shuffle or once the cake’s been successfully dispatched 🔪, we’re just getting started.
We’re the ones running straight into the carnage cameras raised, laughing our heads off, throwing some truly questionable shapes, and catching every moment your mates will swear never happened.
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We learned to shoot in darkness working with photosensitive epileptics no strobes, no flashes, just the real light of real moments. That’s how we became absolute pros at low-light wedding photography that keeps the atmosphere alive and the energy wild.
(Now we feel a bit like Bane, but in a good way 😅)
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Since then, we’ve honed that same low-light wizardry at gigs, cabarets, and weddings across the UK and France.
Every shot you see? 100% authentic. No overlays. No fakery. Just your party, exactly as it felt full of movement, colour, and unfiltered joy.
> Even this one 😮 no, your eyes aren’t deceiving you. It was shot through refracted glass to give some extra kaleidoscopic, trippy, cabaret-fun-time vibes.
We’re big kids at heart and love shiny things. Maybe we’re more like magpies 🐦
Fun fact: we actually used to have a pet magpie.

Letting loose is our favourite game. Getting high on good times is basically our love language.
And when the baby Guinness wipes your memory clean, don’t panic your photos will tell the tale. Every blur, every flash of colour, every “was that me on the table?” moment.

You know what kills an epic dancefloor? Flash ⚡ burning everyone’s retinas until they retreat to a darker corner, which of course then needs even more flash ⚡. See the problem?
Our natural wedding party photography keeps the lights low and the atmosphere high because that’s where the good stuff happens.
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Sometimes we’ll throw in a dreamy kaleidoscope vibe or catch a reflection in your disco ball.
We’re not using overlays or Photoshop to fake it (and we’re definitely not asking Skynet to make the image “extra badass”). It’s just us, getting creative with the chaos.
< We may have borrowed some funky-ass glasses from the lovely @madhatphotobooth to get that wicked prism of colour. If you’ve got something shiny lying around that could add some flair, chances are we’ll swoop in! Back to the magpie thing 🐦🥧😂 and get experimental!
The best part? There’s two of us. So if one of us goes full chaos and the experiment flops, the other’s still got the safe shots covered. You lose nothing. We don’t both go quirky at the same time 🙃

🚫📸 No flash nessacery just the wild, colourful honesty of the night.
Find us in the conga line 🥳 we’ll be the ones mid conga line with cameras in hand, chasing the next story worth remembering.
This is what authentic wedding dancefloor photography looks like the kind that feels alive, full of colour, chaos and you.

While we love and prioritise shooting this way, if there’s not enough ambient light we will trot back to the car and dig into our big bag of tricks for flashes or light panels.
We’ve got all the gear we just prefer not to use it. It keeps the colours bright, the dancefloor dark, and the vibes epic.
It’s a stylistic choice for us, and one we believe gives the best results.
For the best outcomes, chat to your DJ or band about lighting.
Lasers are a big no-no (they’ll murder our cameras 📷🪦), but simple colour-fill lights can create wild tones. Throw in some fairy lights for extra dazzle 😉
Wanna chat all things wedding dancefloor photography? Ping us a message below 😁
Gloucestershire, Cotswolds, England, United Kingdom
luluandscott@gmail.com @luluandscott